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Halftone depot sheet — citrus ink, brutal tile edges, metro rhythm.
DESIGN TEAM
Tomma Abts' methodical process and use of the 48cm x 38cm format have remained more or less constant for the past twenty years
Glazed ceramic
Artschwager's exhibition at the Serpentine in 2001 included pieces from his early furniture-like objects and marble-effect Formica pieces of the 1960s
Abstraction Resting on a Red and White Checkered Tablecloth Tray artist-Suzanne Treister DESIGN TEAMSerpentine unveils a new body of work by the celebrated British artist, comprising five still lifes alongside five portraits that depict members of the artists close circle, including his family and carers. These paintings are united by their frontal composition and by the recurring motif of a gingham tablecloth that provides the setting for each composition. In these new works Hockney combines abstract and figurative modes of representation. For the